LITERATURE ON CLASS STRUGGLE
The Sword and the Sickle: William Blake and Class Struggle
David Betteridge

To celebrate his 79th birthday, David Betteridge writes about swords, sickles and class struggle
I
Have a slow look at the drawing shown above. Is it not an image that captures our eye, engages our intelligence, and feeds our imagination, springing as it does from the artist’s own eye and intelligence and imagination? By means of his long-practised craft, the artist transports us into a Tale of Two Fields, of Two Bladed Implements, of Two Adversaries representing Two Classes, and of Two Ways of Life and Death. We see more than an illustrative drawing. We see an emblem, transcending the historic past in which it is set, and speaking of and to all times. This emblem is, I would claim, a gift to be treasured, likely to stick in our memories. It is beautifully stark in its overall impact, and subtle in its detail. Look, for example, at which blade overlaps which; and look at the two hands holding them. One is gauntleted, implying rank. The other is bare, implying the opposite.
The artist who drew our “Sword & Sickle” emblem above is Bob Starrett, best known as a political cartoonist. He is a latter-day “Eccles” or “Gabriel” of Clydeside and beyond, as readers of his Rattling the Cage know, and readers of the Culture Matters site, as also the many activists who have gone to him asking for campaign designs for leaflets or posters, and invariably got them, sometimes within a turnaround time of a day or a night.Read More »